tag:blogger.com,1999:blog-12349733.post112255353366858604..comments2023-10-22T19:33:58.699+07:00Comments on Yours Musically: Talking With MaestroP.S. Suresh Kumarhttp://www.blogger.com/profile/09890572891853051925noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-12349733.post-1122667802940823642005-07-30T03:10:00.000+07:002005-07-30T03:10:00.000+07:00intresting info, wish i watched that programmeintresting info, wish i watched that programmejackhttps://www.blogger.com/profile/16216362525412682389noreply@blogger.comtag:blogger.com,1999:blog-12349733.post-1122621612104606302005-07-29T14:20:00.000+07:002005-07-29T14:20:00.000+07:00Suresh,The first half featured Lazlo Kovacks and a...Suresh,<BR/>The first half featured Lazlo Kovacks and a couple of other members who lent their voice in the chorus sections.<BR/>Kovacks and Ilayaan stressed that Thiruvasagam was not meant to be a grand orchestral score since its essentially an oratorio. Thiruvasagam's emphasis was on the hymns and the orchestra was used to back-up the singing and hence, the result is a work which is simple and can be understood by everybody. Another member said she was part of a work which was holy (or something to that effect). Viji Manuel, Purushothaman (percussionist for IR from annakkili), Napoleon (flautist) and a few more others spoke about Ilayaan's unique and professional working style and work ethics. They also showed the choir doing the chorus track of "Poovar senni mannan".....<BR/>That's about it.....Bala (Karthik)https://www.blogger.com/profile/02865777599206209898noreply@blogger.com