4.23.2010

Bale A Cappella

A Cappella is a form of music that is performed by a group of singers without any musical accompaniment. A Cappella is one of the scarcely used genres in the ever progressive potpouri of global sounds and music styles that is Indian film music. Is the religious connotation that comes attached with a cappella stopping our composers from using this style of music in our films? Well, whatever.

A.R.Rahman’s ‘Please Sir’ from Boys, ‘Raasaathi’ from Thiruda Thiruda, ‘Namachivaaya Vazhgha’ from Ilaiyaraaja’s Thiruvasagam and ‘Mudhal Mazhaiyae’ from Devan Ekambaram’s pop album Mudhal Mazhai are the songs that immediately comes to my mind when I think of full length true-to-genre a cappella songs that I have heard. ‘Mudhal Mazhaiyae’ is a gem that stunned me when I first heard it and I wrote about the song and the whole album here.

The song ‘Happy’ in the latest ‘Bale Pandiya’ is an A Cappella. Devan’s a cappella in this song is not as intricate a cappella as it is in a Thiruvasagam; it is more sprightly and lighter, just as it was in his ‘Mudhal Mazhaiyae’, because the subject matter of the song is such. It would become heavy and deep, if there are too many accompanying layers of vocals singing contrapuntal melodies on varied octaves. This song is all about the happiness, the lightness and small pleasures of life. The song’s intention is to touch our senses like how a feather dancing all its way through a cool breeze gently falls on and sweetly pinches our skin. In this song, while the melody is like that feather, the accompanying vocal harmonies push the melody up and down, left and right to sail it throughout the song. This swinging and pushing in an uncertain direction by the breeze – the accompanying harmonies, is important because the feather – the melody, in itself doesn’t twist of turn throughout its journey and this could make the song sound long and monotonous.

Though we tag it as a cappella, this song is like any other typical film song that comes with a main lead vocal, a rhythm layer, a bass layer and accompanying orchestral instruments but the difference here is that a human voice sings the bass riff and bass line with vocal chords, fingers snapping sound layer instead of an acoustic percussion, the vocal to-to-toos substitute for additional rhythm loops and accompanying vocal harmonies pass in and out of the song, singing ooh-aah-taara version of melody lines – joining and supporting the lead solo voice, at carefully chosen sync points in the main melody.

The other highlight of the song is the array of singers that Devan managed to put together. Malaysia Vasudevan, Naresh Iyer, Devan, Suchitra Karthik, Haricharan, Srinivas, Malgudi Shubha, Manicka Vinayakam, Mukesh, Vijay Yesudass, Rahul Nambiar, Anuradha Sriram, Paravai Muniyamma and few others - each sings a part that best suits their voice in their unique style. And when the song slowly reaches a crescendo in the end, it gets dense, with a downpour of distinct alaaps being performed in multiple layers, by each of the lead voices. Despite its complexity, Devan pulls it off quite effectively without the song ever bordering on cacophony, which it could easily become, if such a thing is not done carefully.

In an age when every single song is packed densely with more and more layers of sounds and instruments, it is great relief to listen to a song like this, without any sound gimmicks or glaring instrumentation.

Devan Ekambaram – Happy! I am so Happy!

11 comments:

Aakarsh said...

There came a tamil film during 1995-96 called "Maaya Bazaar". Ilaiyaraaja scored a beautiful A`capella in that film - "Naan Poranthu". Give it a listen and see how he has vocalized the instruments in a way that makes you almost identify or guess the instrument that would have taken place there if it was not an A`capella. I felt it was a wonderful experiment by the Grand Master :-)

Suresh Kumar said...

Aakarsh - Yes. That is a brilliant song. The moment I posted this on twitter, Ramesh Sripathy sent me the song. 'Naan Poranthu Vandhadhu' from Maaya Bazaar..

http://www.youtube.com/watch?v=SnblGtIDbD0

Vinith said...

I'm stunned by this song. I'm loving it to the core. Vocal arrangement is very innovative.
A rare song indeed. Aaradha kobamillai is good too. Sirikkiren both instrumental version and song are good. Superb album. Interesting debut.

Hathim said...

Hey suresh,
im dying to read ur review of Raavan. When will u post it? Post it AEAP

Suresh Kumar said...

Hathim - Will write it after I listen to 'Raavanan' music (tamil version of Raavan)..

Arun said...

Thanks Suresh! Will check out this song..

Saraks said...

Thanks for pointing out. What a great few months have been in TFM, with three great songs in a span of three months. Even the Sirikkiren song deserves a post as well, great eccentric composition(something like Monalisa from Mr. Romeo). Btw, know who played the violin in the instrumental version(guess it is not synth)?

Suresh Kumar said...

Saraks - Yes. Sirikkiraen is equally good. As per credits in CD , Violin played by Arun Ramamurthi

Anonymous said...

deAR suresh,this song from bale pandiya...is it not heavily plagiarised from dont worry be happy by bobby mcferrin.why do you needto review this song ..i dunno

Anonymous said...

Brother, listen to Penn Masala! They have been doing Indian a cappella for 15 years now!

pennmasala.com

youtube, search for penn masala

Enjoy!

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